Recently I discovered the wonders of mica. I had no idea what a versatile and amazing and useful tool mica is to have in my collection of fused recycled glass ideas. Here are a few of the pieces that I’ve made recently using various types of textured glass and a mica solution. The mica on all of these pieces is painted on the surface of the glass and fired, most are a slump firing.
Enjoy and do let me know what you think, and, as always, thank you for reading!
June’s free kiln carving pattern is a twisty ivy leaf. This pattern is probably a bit more difficult than beginner level. It has huge potential for green glass sun catchers, or dishes with ivy around the edge and on the bottom. This pattern was inspired by the mass of ivy that I really need to remove from the wall in my garden. It’s gorgeous, but kind of a pain. Continue reading June Kiln Carving Pattern
In just two weeks I will be starting a project that I’ve never done before. I have been offered the Artist in Residency at Hawthorne Elementary in Salt Lake City. The school has 250 kids, grades K-6. I usually teach just one class of kids at a time, so expanding to include 7 classes of varying age and ability of kids has been very exciting.
The theme of the residency is Using Glass Art to tell the Story of YOU. Each of the four projects that we will be doing will tell some part of what is unique about each persons life. Three of the projects will be recycled glass, one will be fused art glass.
Happy St. Patrick’s day! In honor of my family heritage (you did see the McRaney up there, didn’t you?), here is the free kiln carving pattern for March. This pattern is slightly more difficult to cut than the pattern for January, but still quite straightforward.
1. Cut a piece of fiber paper big enough for the pattern.
I used 1/32″ fiber paper for this particular project. Tack the pattern over the fiber paper through the black tack dots.
When creating glass artwork with recycled glass, color play often isn’t an option. By stacking and tack fusing, you can create visual interest. Using ‘white space’ in conjunction to ‘stack and tack’ gives you a huge variety of options.
This piece is a large circular vessel. After cutting the circle, a 1″ wide strip was removed from the inside (drawing a square within the circle). Then squares of the same sheet of float glass were stacked over the gap and tack fused.
Every now and then I get a wild hair and decide to do something big and bold. What better way to test my boundaries than with a gigantic kiln carving? This piece was created for the Nature of Sustainable Art show at Red Butte Garden that is up through the end of February.